Nicholas Cochin

Anatomy Studies - Etching by Nicholas Cochin - 1755

1755

El arcabuz produce monsters is an original contemporary artwork, plate n.35 from the series "Les Caprices de Goya". Heliogravure with pochoir by J.J.J. Rigal after Goya...

Oxygeno en Marte is an original contemporary artwork, plate n. 52 from the series "Les Caprices de Goya". Heliogravure with pochoir by J.J.J. Rig...

Portrait de Calderon is a contemporary artwork realized in 1971. Plate n. 1 from the series “Caldéron. La Vie est un Songe". Colored aquatint etching by Bracons and J.J.J. Rigal af...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing. Signed in the plate. The artwork is depicted through confident strokes. The...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing and folding. Signed in the plate. The artwork is depicted through confident s...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. The etchin...

"Mr. Thirteen" is an etching, engraving and drypoint created in 1995, edition: 12 signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circl...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Sheet size: 26 x 19.8. Edition: of 400. All reasonable offers will b...

Color etching with aquatint on Rives paper. From Songes portfolio. Hand signed and numbered by Marc Chagall. Cramer 112. Published by Éditions Gérald Cramer, Geneva. Printed by Lacou...

Etching with hand coloring on Arches paper. Hand signed and numbered by Marc Chagall. From La Bible. Cramer books 30. Edition 23/100. Image size 12.75 x 10.12 inches. Sheet size 21 x 15.5 inches. Frame size approx 28 x 22 inches. Published by Tériade, Paris. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village (1911). “When I am finishing a picture, I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand as a final test,” he said. “If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art...

Etching with hand coloring on Arches paper. Hand initialed “M.Ch.” and numbered by Marc Chagall. From La Bible. Cramer books 30. Edition 2/100. Image size 12 x 9 inches. Sheet size 21 x 15.25 inches. Frame size approx 28 x 22 inches. Published by Tériade, Paris. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village (1911). “When I am finishing a picture, I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand as a final test,” he said. “If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 478. Edition 5/50 (there were also 25 artist’s proofs numbered in Roman numerals). Image size 17.75 x 16.5 inches. Sheet size 26.25 x 21 inches. Frame size approx 33 x 28 inches. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...